The Dresden Files
Mar. 5th, 2007 09:16 amThis has been on for weeks, and I have yet to comment. Hmmm.
Full disclosure: about a decade ago, I had a slim sliver of a pretension of "knowing" the author of the series, as in "being vaguely aquainted via an internet listserv in a way that is barely worth mentioning years later," and didn't like him. At present, I have no pretension whatsoever of knowing him, but from what I hear, one of us has outgrown the reason for me not liking him.
I mention it because that casual acquaintance did prejudice my opinion of the early books in the series, and I never got past the first few chapters of Grave Peril.
Given the usual atrocities committed in any book-to-TV adaptation, this may be a good thing. I remember, for example, doing a whole lot more "Who is this travesty they're calling Faramir?" than enjoying The Two Towers when that movie came out.
For example, I've read enough of the series to know that's not Bob. I know the story behind Bob from back when the series was, quite literally, a twinkle in its daddy's eye. There is a reason Bob is a skull on the desk and not a guy wandering around the room, looking all smoking hot and making smart remarks.
A creative writing teacher of some sort once told Jim Butcher that a writer should never have a character in his (or her) story that is no more than a "talking head." If you tell Jim Butcher he shouldn't have a talking head in his story, he's going to put a talking head in is story, and not even a proper head, but just a skull, the minimum head you can have and still talk, because he was that kind of jackass back then. If Jim Butcher puts a talking head in his story, it's going to be one of the most interesting and engaging characters, and really help the books sell like gang-busters, because Jim is that kind of jackass, too, and I don't see that changing.
Of course, there's a TV reason he is, and it's a really good one, the sort of reason that cuts short the lives of brilliant sci fi series everywhere: cost. For Bob-the-Skull to translate directly from the page to the screen as a flying, disembodied skull would sink the show before it got properly off the ground.
It also helps that Terrence Mann is smokin' hot, and pushes one of my favorite flavors ofcracksnark. :)
Anyway, I'm grooving on this series as a highly entertaining hour of speculative fiction television, and am very sorry for anyone who's not on the off chance that the match-up between page and screen is just too distant.
I'd ramble on more, but really must be getting to work now.
Full disclosure: about a decade ago, I had a slim sliver of a pretension of "knowing" the author of the series, as in "being vaguely aquainted via an internet listserv in a way that is barely worth mentioning years later," and didn't like him. At present, I have no pretension whatsoever of knowing him, but from what I hear, one of us has outgrown the reason for me not liking him.
I mention it because that casual acquaintance did prejudice my opinion of the early books in the series, and I never got past the first few chapters of Grave Peril.
Given the usual atrocities committed in any book-to-TV adaptation, this may be a good thing. I remember, for example, doing a whole lot more "Who is this travesty they're calling Faramir?" than enjoying The Two Towers when that movie came out.
For example, I've read enough of the series to know that's not Bob. I know the story behind Bob from back when the series was, quite literally, a twinkle in its daddy's eye. There is a reason Bob is a skull on the desk and not a guy wandering around the room
A creative writing teacher of some sort once told Jim Butcher that a writer should never have a character in his (or her) story that is no more than a "talking head." If you tell Jim Butcher he shouldn't have a talking head in his story, he's going to put a talking head in is story, and not even a proper head, but just a skull, the minimum head you can have and still talk, because he was that kind of jackass back then. If Jim Butcher puts a talking head in his story, it's going to be one of the most interesting and engaging characters, and really help the books sell like gang-busters, because Jim is that kind of jackass, too, and I don't see that changing.
Of course, there's a TV reason he is, and it's a really good one, the sort of reason that cuts short the lives of brilliant sci fi series everywhere: cost. For Bob-the-Skull to translate directly from the page to the screen as a flying, disembodied skull would sink the show before it got properly off the ground.
It also helps that Terrence Mann is smokin' hot, and pushes one of my favorite flavors of
Anyway, I'm grooving on this series as a highly entertaining hour of speculative fiction television, and am very sorry for anyone who's not on the off chance that the match-up between page and screen is just too distant.
I'd ramble on more, but really must be getting to work now.
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Date: 2007-03-05 04:29 pm (UTC)no subject
Date: 2007-03-05 10:27 pm (UTC)I swear some of the print chapters have material for five or six eps in them.
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Date: 2007-03-06 02:09 pm (UTC)Liked your story about why Bob is a skull. The guy must be a serious smartass
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Date: 2007-03-06 02:18 pm (UTC)Jim Butcher is one of the very few who not only published, but did very well at it.
By the way? Working title for Death Masks was alleged to have been Holy Sheet. A serious smartass, indeed. :D
no subject
Date: 2007-03-06 02:42 pm (UTC)